SHOCKtober Day 30

Ah, drawing to a close! Day 30 means tomorrow is Day 31 which means tomorrow is Halloween. Man oh man. Time sure flies when you're something something, huh? I feel particularly Halloweenie this year, as I've already even carved a pumpkin, scared some children, watched at least one terrible Halloween sequel on AMC, and had more than my share of Pumpkin Spice coffee. It's glorious! Now on to your choices, so few of which remain...

Phyllis (Last House on the Left)

You know, I've never seen this and I kind of doubt that I ever will. I did see the remake, though.

MICROWAVE OVEN.

Tarman (Return of the Living Dead)

Ten kinds of awesome, at least.

Kaplan (Resident Evil)

Sayeth the chooser (which is probably more than anyone has ever said on a character from Resident Evil, which is also ten kinds of awesome at least):

"When the RE movie comes up, Martin Crewes' performance is often mentioned. It kind of encapsulates part of what sets the first movie apart from the other, sucky ones - he does fear well. The sequels dispense with fear in favor of displays of effortless badassery, but fear reminds us that this screwed-up scenario is happening to actual (well, you know) people
and makes the threat more real.

More specific to Crewes' character, though, is a variation on the NotLD Barbra problem. He does the things we hope we wouldn't in that situation: mentally freezes and forgets the elevator password, is unable to beat the computer safeguards before everyone gets diced, etc. And yet, despite this, he proves capable of great courage in more considered moments: he pushes himself down the laser corridor with all the corpses alone; he insists on staying behind for a bad death so as not to endanger the others. These are not, in the scheme of things, grand actions - walking
down a hallway, staying put - but they become big, tense set pieces just because they require such courage - and because the character has such fear to overcome.

Crewes' character gives the impression of a techie who wanted to make more of himself in the field, which makes his ultimate stepping-up (despite his last-act demise) that much more satisfying. He's a quieter sort than many modern zombie flicks have time for, a less-assured, less-glamorous hero character, and the actor's more messily human than one would expect in a
videogame adaptation - but he gives a display of fortitude that's more memorable for me than that of most any movie."